Above a semi-transparent ceiling three pairs of shoes move back and forth. A closer look reveals that their movement is reminiscent of the movement of exhibitions viewers: The shadows of the shoes stop when facing walls, for instance. Rest there, walk on the spot as if they were pondering about something on the wall.
However, the space in which these shoes are located, is not accessible to any viewer. In this separation that the installation »Seen it All« opens, comes up a feeling of dissatisfaction about not being able to see everything the exhibition has to offer.